The British Journal of Photography on the Networked Photojournalist

https://sieterevueltas.net/qwrhsrfda I just read this a few days ago and had to share. Success is a very finite combination of a strong portfolio, timing and contacts.

https://therepairstore.ca/2xv6oqoikc And so much of it is contacts. You can have the most incredible photographs in the world, but if all they do is sit on the hard drive, they are doing no one any good.

Photography has to be seen, and in this market a connected, networked journalist is the one being seen.

https://www.ngoc.org.uk/uncategorized/future-events/5jcdeygn Jason Cone, the communications director for Doctors Without Borders/Médecins Sans Frontières (MSF) in the United States, has a bit to say about the modern, networked journalist in a recent article for the British Journal of Photography:

…But in this age when the visual image is a ubiquitous commodity – when the barriers to entry for the newest photographers have been nearly eviscerated with smartphones and social apps like Instagram – the photojournalist’s visual aesthetic, artistry, and style are a given and what really separates a photographer from the crowd is the network he or she brings to the negotiating table…

Yet, what is essential today is the ability of a photojournalist to bypass the uncertainty of the conventional news cycle and the vagaries of for-profit news outlets to reach audiences with their stories. I’m looking to hire the networked photojournalist. And their network needs to take all shapes and forms: from old (Time, The New York Times) and new (Huffington Post, GlobalPost) media clientele to social media (Instagram, Facebook, Twitter, Tumblr, Reddit, and other distribution channels) and access to influencers (policy-makers, funders, activists, other NGOs)…

Cone has more to say about modern journalism in the full article. It provides some interesting food for thought.

https://serenityspaonline.com/xk1m7553x Tags: Business