https://trevabrandonscharf.com/jvpjwodplan When I came across a copy of Australia’s FlyLife magazine this past summer, I knew it was a publication I wanted to work with. Glossy, quality paper, beautiful images… it was ticking all of the boxes. Now, six months later, it’s exciting to see a feature come out in the publication. And, nice surprise, my first Australian magazine cover.
https://everitte.org/twr71tf4here The story is about this year’s shoot with Costa and IndiFly on the small French Polynesian atoll of Anaa. We had a great team on this shoot, and it’s been fun to see the images featured in the current issue of The Fly Fish Journal as well as Costa’s website and email marketing. The shoot presented unique challenges; there was a very strong documentary / editorial element, but also strong need for commercial assets. Humid, damp conditions and saltwater are never easy on camera equipment, and I found out the hard way coral is not easy on the body. A run of antibiotics later and some dedicated wound cleaning and all was well — there was never any doubt that the images were worth it.
source sitesee url When an island doctor tells you a foot infection requires you to stay out of the water and your job requires you to be in the water 10+ hours a day, you get creative.
https://luisfernandocastro.com/89ci6hkukt4https://www.modulocapital.com.br/ocqylqnvvl Speaking of injuries, shout out to Oliver White, who ended up on the cover of FlyLife. This shot was taken a few hours after Oliver cut his hand on coral and got it stitched up. True to form, he was right back on the water and effortlessly landing fish.
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follow sitehttps://ragadamed.com.br/2024/09/18/u40xz3v9bus Tagged as: Australia, Costa, fishing, fly fishing, FlyLife, French Polynesia, Indifly, photography, travel
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