go by Fire Girl Jess on June 21, 2016
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https://www.brigantesenglishwalks.com/5sg0tglti Summer is officially here, and I’m getting quite a few inquiries about photography instruction. Here we are, folks — two on-the-water photograph workshops at the end of the summer. I’m happy to be working with The Tackle Shop in Ennis for these workshops, and hope to see some of you there!
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https://www.mbtn.net/?p=mmei9nt https://mocicc.org/agricultura/pisvlhcww Dates
- Women’s Workshop: Saturday, August 20
- Co-Ed Workshop: Saturday, September 3 (Ennis Fly Fishing Festival weekend)
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- $500 – includes day of guided fishing, photography instruction, swag bag and all meals
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- Guided day of fishing and all terminal tackle
- Photo instruction
- Swag bag with hat, Buff, and other goodies
- Light breakfast, river lunch, and BBQ dinner
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- Camera (or iPhone)
- Personal fishing gear, if desired
- Sunscreen / lip balm
- Sunglasses
- Rain jacket
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https://onlineconferenceformusictherapy.com/2025/02/22/zzvcbrpqi9 https://dcinematools.com/5r751e7 Jess McGlothlin, Jess McGlothlin Media
Jess McGlothlin is happiest on the road in the weird, far-off corners of the world. Currently based in Bozeman, Montana, she sees her mission as a simple one: tell stories. Working as a freelance photographer and writer in the outdoor industry, while on assignment in the past year she’s learned how to throw spears at coconuts in French Polynesia, dodge saltwater crocodiles in Cuba, and eat all manner of unidentifiable food. See more of her work and a client list at Jess McGlothlin Media.
follow site https://www.elevators.com/e5k66ij The Tackle Shop, Ennis, Montana
The Tackle Shop is located in Ennis, Montana, on the banks of the Madison River. You will find us on Main Street right under the large metal fly on our roof. We have been doing business in the same location for 79 years and proudly claim the honor of being Montana’s oldest fly shop, a madison River Original. We have worked to develop a reputation as providing the best guides on the Madison, gear, apparel and an impressive fly selection. The Tackle shop has earned the coveted Orvis Endorsed Outfitter designation for the Madison river. Stop by you will see why we are called the friendly fly shop.
click https://www.yolascafe.com/z6ipry17 For booking call The Tackle Shop at 406-682-4263, or email me [firegirlphotography (at) me (dot) com] with any questions!
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https://www.brigantesenglishwalks.com/1jx8ut5x66o 
https://dcinematools.com/576dhv1vj It’s always a pleasure to work in ongoing relationships with magazines, and American Angler has been a client for a long, long time. This past issue features an image of anglers Oliver White and Matt Shilling changing out fly lines after a French Polynesian coral reef chewed through several the previous day — one of many taken during a fantastic assignment last spring. The other is an underwater shot of running salmon in the Bristol Bay region… the result of standing in icy water for an hour waiting for the fish to pattern in the water nicely.
enter site As always, thanks to the editors I work with who are willing to dig through images and words with me, and thanks to the incredible anglers and adventurers who let me tag along for the ride!
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I’m always keen to partner with innovative companies that make a product I believe in. I’ve bene using Loon Outdoors products for years, and have just joined their Ambassador team. Loon makes those necessary products sometimes overlooked on the water — floatants, sinkets, line and gear care, fly tying supplies, and many other necessities. This is an exciting partnership, and I’m happy to begin working with the Loon team!
Check out the Loon Ambassador team, and check out some of Loon’s goodies while you’re on the site!
by Fire Girl Jess on May 14, 2016
Quality gear makes every assignment possible. Without cameras (and memory cards, batteries, tripods, lenses, straps, lighting systems, and so many other things) and I know I can depend on, the job doesn’t get done (or it gets a hell of a lot more challenging.
Last year I got into an AquaTech Imaging Systems underwater housing, and in the twelve months we’ve known each other we’ve logged a few miles… from French Polynesia to Vermont to Alaska to Montana to Cuba, then back down to the South Pacific to Samoa. Needless to say that little housing and its Pelican case deserve a passport of their own.
Images from the recent Samoa shoot are going to a host of clients, and have already run in Outside, but it was fun to share the story with the guys at AquaTech and then see them share it with their audience.
by Fire Girl Jess on May 9, 2016
When I got back from this particular assignment, working for Costa del Mar and the IndiFly Foundation in French Polynesia, I sat down to review the images with a friend. We came across this shot and he commented, “How’d you get them to pose so nicely?” I laughed. No posing involved. In fact, unless it’s absolutely unavoidable, I don’t pose folks I’m shooting with… it changes the energy of the shot. What were real grins become fixed grimaces. A natural movement becomes awkward and self-conscious. Moments are missed.
For this shot, while wading the flats of the remote atoll we were working on, it was a challenge to shoot in front of the anglers without spooking potential bonefish and bluefin trevally in front of us. I was constantly pushing through the water, looking for angles that wouldn’t interfere with fishing but would make for strong images. On this particular flat the footing was terrible — thick, oozing mud that threatened to suck the boots from our feet. Everyone save Raphael, our local guide, took falls as our feet stuck but our bodies kept moving forward. I kept the camera raised above my head, saving it from deep water and the inevitable falls. We’d paused to reconnoiter when Raphael spotted a group of bones moving some hundred yards ahead. All three anglers stopped talking and immediately looked to the fish… I raised the camera, and the shot was made. The reflection in Raphael’s sunglasses tells a story within a story; we were on the hunt and movie with a purpose.
Fight the urge to pose your subjects. Let them interact naturally and wait for the moment to come. It will be all the more authentic when you do.
Keeping gear functional and ready to work in saltwater situations – especially wading situations — is challenging. Here, a Canon 5D Mark III teamed with a 17-40 lens, keeps things open and to the point. Wide-angle lenses make you move your feet (thick mud nonetheless) and frame the shot from close quarters. A quality photograph should pick up your subjects and transport them to that place — to that flat, that atoll, that saltwater.
More work surfacing from a recent French Polynesia shoot with 
