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When I came across a copy of Australia’s FlyLife magazine this past summer, I knew it was a publication I wanted to work with. Glossy, quality paper, beautiful images… it was ticking all of the boxes. Now, six months later, it’s exciting to see a feature come out in the publication. And, nice surprise, my first Australian magazine cover.
see url The story is about this year’s shoot with Costa and IndiFly on the small French Polynesian atoll of Anaa. We had a great team on this shoot, and it’s been fun to see the images featured in the current issue of The Fly Fish Journal as well as Costa’s website and email marketing. The shoot presented unique challenges; there was a very strong documentary / editorial element, but also strong need for commercial assets. Humid, damp conditions and saltwater are never easy on camera equipment, and I found out the hard way coral is not easy on the body. A run of antibiotics later and some dedicated wound cleaning and all was well — there was never any doubt that the images were worth it.
https://dcinematools.com/chnjqcr When an island doctor tells you a foot infection requires you to stay out of the water and your job requires you to be in the water 10+ hours a day, you get creative.
https://onlineconferenceformusictherapy.com/2025/02/22/ygy7328 Speaking of injuries, shout out to Oliver White, who ended up on the cover of FlyLife. This shot was taken a few hours after Oliver cut his hand on coral and got it stitched up. True to form, he was right back on the water and effortlessly landing fish.
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go to link I sat down today to write a “things I’m thankful for post,” and it kind of spiraled. It’s been a hell of a year, and I’m not really sure where to start.
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A year ago I was celebrating on a snowy day in Vermont, ensconced in the Orvis world and growing my freelance work. Today, I’m back in home country, living in Bozeman and neck-deep in the industry. In the past twelve months I’ve been able to travel to Belize, French Polynesia, Alaska, South Carolina, and throughout New England and the West for freelance shoots. Along the way I’ve met some of the coolest people I’ve had the pleasure to work with, and had some truly incredible clients.
https://danivoiceovers.com/2hu04um I’ve learned to throw spears with villagers in the South Pacific, swung mice for Dolly Varden in Alaska, and swum with migrating sockeye. Somewhere along the way I moved cross-country and have taken up roles with Yellow Dog Flyfishing and the American Fly Fishing Trade Association. This week alone I’ve picked up two significant new clients and learned I’ve landed my first Australian magazine cover.
100Mg Tramadol Online Sometimes you pause in a moment and realize you’re experiencing something you’ll remember for the rest of your life. I’ve been fortunate enough to have several of those this year.
https://getdarker.com/editorial/articles/3xj09ek So much to be thankful for, and it wouldn’t be possible without all of you. Thanks to the clients, the editors, and the anglers I’ve photographed along the way. Thanks to all the guides who have been happy to hold fish as I maneuver in for the shot, and to the bush pilots and boat captains who put up with my Pelican cases. And thanks to all of you who have followed along the way, who read this blog and who interact on social media. It would be a hella boring career without all of the awesome people I’ve met along the way.
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There’s always some sort of lull between shooting and seeing shots be published. Sometimes it’s nice and short — my favorite thing about newspaper work is there’s usually only a few days between the shoot and publication. Other times it drags on… I’ve had projects 18+ months in the making. Anticipation somehow makes it all that much more rewarding when the images finally hit the streets.
https://www.mbtn.net/?p=3hno3a6mk This past May I was fortunate enough to travel to a remote atoll in the South Pacific, Anaa, to work on a project with Costa del Mar and the IndiFly Foundation. We had a week on location, assessing the fishery and getting to know the locals. There’s something magic about working in those far-off places, and hands-down that’s been one of my favorite shoots to date.
Tramadol Online Overnight 180 A few of the images made it into a feature in the latest The Fly Fish Journal, and I was thrilled to see more released in Costa’s 2016 Dealer Guide. The entire book is themed around the trip, and, as always, it’s interesting to see what shots the agency uses. More images, along with a write-up, will be released in Australian publication FlyLife in the coming months.
go to site Check out the “case study” on my website, and browse through a few of the most recent clips. Huge thanks to the folks who put this shoot together; people can make or break a shoot like this, and in this case we clearly had an A-Team along.
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Got the call last week from a 212 area code, offering a little flashback to my recent East Coast escapades. Picked it up to find a photo assignment for the https://geolatinas.org/4e9bw4eomq New York Times waiting on the other end of the line, so I packed the bags and headed up to Helena, Montana’s capital, the next morning for an assignment.
follow link The job was to photograph poet Tyler Knott Gregson for an upcoming article. Staged portraits are by no means my favorite thing—I love capturing portraits of people when they are actively engaged in something else and not thinking about the camera.
Tramadol 50 Mg Online Uk This was not one of those days.
https://www.brigantesenglishwalks.com/i3rjpdh That said, Tyler was fantastic to work with, and had already pre-scouted a location for the shoot. We set up, shot in a couple settings, and I was back in Bozeman by the late afternoon to file images. Still in awe at the digital world we live in.
Tramadol Online Overnight Delivery Thanks to the Times for the assignment, Tyler for putting up with me, and Montana for providing a pretty awesome drive to work.
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You can read my full write-up today on Chi Wulff, but the bottom line is this: we learn best by doing. A fact that was evident yesterday at Headhunters Fly Shop’s first women’s-only Spey clinic. I worked at the shop several years ago while shooting a long-term documentary project, and it was fantastic to be back on familiar waters and see old friends. There’s something about the stretch of the Missouri River between Helena and Great Falls; it has its own personality. It’s a little bit rock-and-roll, a little bit old school, and a whole lot of legit fishing.
https://www.mreavoice.org/7n1h4fgf67z Sara and Beth from Headhunters put on a lovely clinic for a group of eight women who had driven from all over the state to learn the basics of two-handed angling. While I was shooting the clinic for an upcoming article, I was able to put down the camera and pick up a rod for a bit. Good for the soul.
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by Fire Girl Jess on November 2, 2015
This was one email I was excited—and surprised—to see show up in my inbox this weekend. The subject line read “You Are a MIFA Winner,” and it took me a minute to recall the Moscow International Foto Awards, which I had entered this past summer. Seems like a lifetime ago (maybe it was).
A series of eight images from May’s South Pacific expedition with IndiFly and Costa took an honorable mention in the Professional Category for Editorial-Essay. It’s beyond surreal to see my name listed with photographic greats such as Ed Kasha; thanks to the Moscow team for the nod. This was a very special assignment, and the images are beginning to hit the streets in Costa’s 2016 dealer guide (look for a post later this week) and in the contest circuit.
Again, thanks to everyone who made this shoot possible. We had an awesome team in an amazing location, and while it was one of the more challenging shoots I’ve been on, it was also one of the more fun simply due to the people—both on the team and the locals we met on location. Excited to share these images with an international audience!
